Train attendants carry their luggage as they walk through a flooded street in Fuzhou in southeastern China's Fujian Province Wednesday, September 28, 2016. The massive typhoon made landfall in eastern China Wednesday, a day after carrying strong winds over Taiwan that felled trees and scattered debris, killing several people and injuring hundreds. (Photo by Chinatopix via AP Photo)

Women perform square dancing at a park square in Beijing, China, April 9, 2015. Chinese-style square dancing is running circles around other hobbies for the elderly, with millions taking to parks and plazas across China, swivelling their hips and rolling their arms – but it's not to everyone's liking. (Photo by Kim Kyung-Hoon/Reuters)

A worker distributes electronic waste at a government managed recycling centre at the township of Guiyu in China's southern Guangdong province June 10, 2015. The town of Guiyu in the economic powerhouse of Guangdong province in China has long been known as one of the world’s largest electronic waste dump sites. At its peak, some 5,000 workshops in the village recycle 15,000 tonnes of waste daily including hard drives, mobile phones, computer screens and computers shipped in from across the world. (Photo by Tyrone Siu/Reuters)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

A racoon jumps over a fence in almost deserted Central Park in Manhattan on April 16, 2020 in New York City. Gone are the softball games, horse-drawn carriages and hordes of tourists. In their place, pronounced birdsong, solitary walks and renewed appreciation for Central Park's beauty during New York's coronavirus lockdown. The 843-acre (341-hectare) park – arguably the world's most famous urban green space – normally bustles with human activity as winter turns to spring, but this year due to Covid-19 it's the wildlife that is coming out to play. (Photo by Johannes Eisele/AFP Photo)

A Chinese exhibitor checks lighting products at a booth during the China Import and Export Fair, also known as Canton Fair, in the southern Chinese city of Guangzhou October 15, 2015. Around two thirds of exporters at China's largest trade fair expect the slowdown in their markets to persist for at least six months, a Reuters poll has found, with the country expected to announce its slowest economic growth in decades early next week. (Photo by Bobby Yip/Reuters)

A large sand sculpture is seen at the site of Yokohama Sand Art Exhibition – Culture City of East Asia 2014 on July 16, 2014 in Yokohama, Japan. Producer and sand sculptor Katsuhiko Chaen invited artists from around the world including South Korea and China, to recreate the World Heritage and historical buildings in China, Japan and South Korea. The exhibition will be open from July 19 to November 3, 2014. (Photo by Chris McGrath/Getty Images)