Activists from the People for the Ethical Treatment of Animals (PETA) demonstrate with slogans in protest of the designers use of fur, during the Paris Fashion Week, in front of the Eiffel Tower, in Paris, France, September 25, 2018. Placards read: “For a Fashion Week without fur”. (Photo by Benoit Tessier/Reuters)

A person shelters from the rain in a flooded underpass by Lawrence Hill Roundabout, Bristol on Monday, September 23, 2024. An amber weather warning for heavy rain has come into force in parts of England, with the Met Office warning that affected areas could experience more than a month's worth of rain falling on Monday. (Photo by Ben Birchall/PA Images via Getty Images)

Olivia Culpo arrives at the 68th Primetime Emmy Awards on Sunday, September 18, 2016, at the Microsoft Theater in Los Angeles. (Photo by J. Emilio Flores/Invision for the Television Academy/AP Images)

A woman runs while another woman ducks down to avoid teargas as police disperse supporters of the opposition Coalition for Reforms and Democracy (CORD), led by former Prime Minister Raila Odinga, during a demonstration against Independent Electoral and Boundaries Commission (IEBC) in downtown Nairobi, Kenya, 09 May 2016. (Photo by Dai Kurokawa/EPA)

A man smokes a marijuana cigarette to celebrate 420, in Times Square amid the coronavirus disease (COVID-19) pandemic in New York City, New York, U.S., April 20, 2021. (Photo by Carlo Allegri/Reuters)

Richard Gamboa, dressed up as Santa Claus, walks in an alley of the slum Cota 905 during the “Santa en las calles” (Santa in the streets) event donating toys, food, and clothes in Caracas, Venezuela on December 1, 2018. (Photo by Marco Bello/Reuters)

Roger Moore fights with Richard Kiel, as Jaws, who bites through a board in a scene from the film “The Spy Who Loved Me”, 1977. (Photo by United Artist/Getty Images)

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.