Children enjoy and participate in a traditional street race of “carruchas”, the name for makeshift wooden cars in Caracas, Venezuela, Saturday, December 18, 2021. Children enjoyed the race marking 10 years of persevering this tradition. (Photo by Ariana Cubillos/AP Photo)

Yi Arias, a CORE crew member in an upbeat mood at COVID-19 mass-vaccination of healthcare workers taking place at Dodger Stadium in Los Angeles, California, U.S., January 15, 2021 (Photo by Irfan Khan/Pool via Reuters)

A cyclist shops for a gift from a roadside open-air vendor during Valentine's Day celebrations amid the COVID-19 pandemic in Kamwokya, Kampala, Uganda on February 14, 2022. (Photo by Miriam Watsemba/Reuters)

A man dives into a canal during a hot day in Larkana district of Sind province on July 20, 2023. (Photo by Ahmed Raza Soomro/AFP Photo)

Three workers prepare to paint some traditional umbrellas in Bogor, Indonesia in the second decade of October 2023. The daily wage is the equivalent of the cost of selling one umbrella to a tourist. (Photo by Achmad Mikami/Solent News)

Participants react as they try to reach the top of a greased pole to collect the prizes, during a “Panjat Pinang” competition, that is held to celebrate Indonesia's 79th Independence Day at Ancol in Jakarta, Indonesia, on August 17, 2024. (Photo by Ajeng Dinar Ulfiana/Reuters)

These images capture the intricate details of minuscule snowflakes, moments before they melt. The shots were taken by Don Komarechka, 31, who has had a lifelong fascination with all things macro – especially snowflakes. The professional photographer says people often don’t believe that his pictures are real because they’re so perfect. (Photo by Don Komarechka/Caters News Agency)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)