Yi Arias, a CORE crew member in an upbeat mood at COVID-19 mass-vaccination of healthcare workers taking place at Dodger Stadium in Los Angeles, California, U.S., January 15, 2021 (Photo by Irfan Khan/Pool via Reuters)

A cyclist shops for a gift from a roadside open-air vendor during Valentine's Day celebrations amid the COVID-19 pandemic in Kamwokya, Kampala, Uganda on February 14, 2022. (Photo by Miriam Watsemba/Reuters)

A man dives into a canal during a hot day in Larkana district of Sind province on July 20, 2023. (Photo by Ahmed Raza Soomro/AFP Photo)

Three workers prepare to paint some traditional umbrellas in Bogor, Indonesia in the second decade of October 2023. The daily wage is the equivalent of the cost of selling one umbrella to a tourist. (Photo by Achmad Mikami/Solent News)

Participants react as they try to reach the top of a greased pole to collect the prizes, during a “Panjat Pinang” competition, that is held to celebrate Indonesia's 79th Independence Day at Ancol in Jakarta, Indonesia, on August 17, 2024. (Photo by Ajeng Dinar Ulfiana/Reuters)

In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)

The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)