Visitors review their cell phone photos of an installation called “Plexus A1” by artist Gabriel Dawe, one of nine large-scale art installations displayed at the “Wonders” exhibit at the Renwick Art Gallery in Washington, DC, Wednesday, January 13, 2016. Built in the 1860s, the Renwick was the first American building to be designed specifically as an art museum; it recently reopened after a two year renovation. (Photo by Jim Lo Scalzo/EPA)

Sina prepares for the reopening of the latex fashion shop Savage Wear as the coronavirus disease (COVID-19) lockdown measures are eased in Berlin, Germany, March 9, 2021. (Photo by Hannibal Hanschke/Reuters)

Samba dancers walk past a security staff member during the 34th annual Asakusa Samba Carnival in Tokyo August 29, 2015. About 5,000 people participated in the annual samba carnival on Saturday. (Photo by Toru Hanai/Reuters)

Some 1,250 students from the Assumption College flip their cards to form an image of Thailand's late King Bhumibol Adulyadej, in his honour, in Bangkok, Thailand, October 28, 2016. (Photo by Athit Perawongmetha/Reuters)

Producer Traci Szymanski and Polish model Joanna Krupa attend the Casamigos Halloween Party at a private residence on October 28, 2016 in Beverly Hills, California. (Photo by Michael Kovac/Getty Images for Casamigos Tequila)

A model walks the runway during the Di$count Universe show at Mercedes-Benz Fashion Week Resort 17 Collections at Carriageworks on May 18, 2016 in Sydney, Australia. (Photo by Stefan Gosatti/Getty Images)

President Barack Obama speaks to the press in the Briefing Room of the White House April 27, 2011 in Washington, DC. US President Barack Obama released a long form version of his birth certificate after extended criticism by those who do not believe he was born in the United States. (Photo by Brendan Smialowski/Getty Images)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.