An air plane takes off from the airport as air traffic is effected by the spread of the coronavirus disease (COVID-19) in Frankfurt, Germany, March 16, 2020. (Photo by Kai Pfaffenbach/Reuters)
“The artist herself produces the camouflage suit. For each photo, for each environment of her choice, she designs a new suit, which again and again has to be made with the greatest precision, or the illusive effect will not work. By uniting the figure with the background, Desiree Palmen reaches a surprising visual effect that requests a special effort for the observing eye: it must disentangle what is flat and what is spatial.”
Palestinian refugees walk home in Gaza City on January 19, 2025, making a V sign with their fingers toward the camera, just before the ceasefire took effect. (Photo by Reuters/Yonhap News)
Meanwhile, over on Portobello beach, members of the Upsala circus take a stroll before their fringe debut, Ping-Pong Ball Effect in Edinburgh, England on August 1, 2017. (Photo by Murdo Macleod/The Guardian)
A Palestinian girl with her body painted by special effects makeup artist Alaa Abu Mustafa, 20, sits on a boat in the southern Gaza Strip, March 22, 2018. (Photo by Ibraheem Abu Mustafa/Reuters)
A view shows a Lun-class Soviet-made ekranoplan, which is a naval craft and a ground-effect vehicle, on the Caspian Sea coastline in Derbent in the Republic of Dagestan, Russia on November 3, 2020. (Photo by Kazbek Basayev/Reuters)
Filipino artist Leeroy New poses with a makeshift mask he designed with recycled materials as he adapts to the effects of the coronavirus disease (COVID-19) pandemic in the art industry, in his studio in Quezon City, Metro Manila, Philippines, May 28, 2020. (Photo by Eloisa Lopez/Reuters)
Peruvian shamans holding a figure of a Nino Jesus (Child Jesus) and a snake perform a ritual at the Rimac river to fight the negative effects of the Nino weather phenomena over Nature, in Lima, October 1, 2015. (Photo by Mariana Bazo/Reuters)