Rays from the rising sun shine through the foliage of trees as fog covers the ground near the Guckler Karoly Observatory in Budapest, Hungary, 02 January 2017. (Photo by Balazs Mohai/EPA)

The heads of slaughtered water buffalos and a goat are lined up on the ground after the animals were sacrificed during “Dashain”, a Hindu religious festival in Kathmandu, Nepal October 10, 2016. (Photo by Navesh Chitrakar/Reuters)

Marines of the Baltic Fleet forces of the Russian Navy train in the zone of obstacles during military exercises at the Khmelevka firing ground in the Kaliningrad region, Russia on November 24, 2021. (Photo by Vitaly Nevar/Reuters)

An Afghan hawker selling balloons walks along a path in a ground in Chaman-e-Hozori area in Kabul on December 10, 2021. (Photo by Ahmad Sahel Arman/AFP Photo)

Participants take part in the 44th annual Gay and Lesbian Mardi Gras parade at the Sydney Cricket Ground (SCG) in Sydney, Australia, 05 Ma​rch 2022. (Photo by Bianca de Marchi/EPA/EFE)

Thousands of fireflies dance around Aurora Ghizzi Panizza, age 4, in the grounds of the 15th-century Castello di Torrechiara in Parma, Italy on July 16, 2022. (Photo by Alberto Ghizzi Panizza/Animal News Agency)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)