Raka Soko, a traditional healer and Poro society member is deep in prayer while holding a broom and a bottle filled with spiritual wine that is purified to show gratitude to the gods before a ceremony in Waterloo on November 26, 2018. Standing across the field from him another member, Amos Nicol, holds a statue of the spiritual god Sama Yorbu which is used to communicate directly to other gods for permission to perform. (Photo by Lynn Rossi/AFP Photo)

A group of scantily-clad women pose for photographs at the annual Venus erotic trade fair in Berlin, Germany on 12 October 2017. Venus Berlin is among the largest international erotic trade fairs, with more then 250 exhibitions from 40 countries and 30,000 visitors. (Photo by Alamy Live News)

This photo taken on February 1, 2018 shows a worker trimming the skin imperfections of a silicone doll at a factory of EXDOLL, a firm based in the northeastern Chinese port city of Dalian. With China facing a massive gender gap and a greying population, a company wants to hook up lonely men and retirees with a new kind of companion: “Smart” sеx dolls that can talk, play music and turn on dishwashers. (Photo by Fred Dufour/AFP Photo)

A man carrying an axe walks past a house marked with bullet holes in Gyallesu district after recent clashes between Shi'ites and the army in Zaria, Kaduna state, Nigeria, February 3, 2016. Sectarian tensions are rising in Nigeria's Muslim north, where hundreds of Shi'ites were killed in clashes with the army in the town of Zaria in December, according to Shi'ites and rights groups. Following the clashes, bulldozers sent by the state levelled Shi'ite shrines, a cemetery and offices in the deeply divided town. The region is already grappling with an insurgency waged by the jihadist Boko Haram group. (Photo by Afolabi Sotunde/Reuters)

An African immigrant tries to jump a fence into a ferry terminal in the western Greek town of Patras April 28, 2015. Afghan, Iranian and Sudanese immigrants, living precariously in abandoned factories in Patras, southwest Greece, try to stow away on nearby ferries to Italy as they seek a better life in Europe beyond crisis-hit Greece. (Photo by Yannis Behrakis/Reuters)

In this Thursday, December 1, 2016 photo, Cat Bigney, part of the Oglala Native American tribe, waits on the shore of the Cannonball river for travelers to arrive by canoe at the Oceti Sakowin camp where people have gathered to protest the Dakota Access oil pipeline in Cannon Ball, N.D. So far, those at the camp have shrugged off the heavy snow, icy winds and frigid temperatures. But if they defy next week's government deadline to abandon the camp, demonstrators know the real deep freeze lies ahead. Life-threatening wind chills and towering snow drifts could mean the greatest challenge is simple survival. (Photo by David Goldman/AP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Ice swimmer Klaudia prepares to swim in a filled up water kettle in an ice cave inside the Nature Ice Palace, with a hight of 3,250 meters (10,663 feet) above sea level, at Hintertux Glacier near Hintertux, some 480 kilometers (298 miles) western of Vienna, Austria, 28 July 2018. (Photo by Christian Bruna/EPA/EFE)