Campers set structures on fire in preparation of the Army Corp's 2pm deadline to leave the Oceti Sakowin protest camp on February 22, 2017 in Cannon Ball, North Dakota. Activists and protesters have occupied the Standing Rock Sioux reservation for months in opposotion to the completion of the Dakota Access Pipeline. (Photo by Stephen Yang/Getty Images)

Kaw-Claa, a Tlingit native woman in full potlatch dancing costume, 1906. (Photo by Case & Draper/Buyenlarge/Getty Images)

In this Thursday, December 1, 2016 photo, Cat Bigney, part of the Oglala Native American tribe, waits on the shore of the Cannonball river for travelers to arrive by canoe at the Oceti Sakowin camp where people have gathered to protest the Dakota Access oil pipeline in Cannon Ball, N.D. So far, those at the camp have shrugged off the heavy snow, icy winds and frigid temperatures. But if they defy next week's government deadline to abandon the camp, demonstrators know the real deep freeze lies ahead. Life-threatening wind chills and towering snow drifts could mean the greatest challenge is simple survival. (Photo by David Goldman/AP Photo)

Women hold a demonstration on Backwater Bridge during a protest against plans to pass the Dakota Access pipeline near the Standing Rock Indian Reservation, near Cannon Ball, North Dakota, U.S. November 27, 2016. (Photo by Stephanie Keith/Reuters)

A woman prays at the edge of a river during a protest against the building of a pipeline near the Standing Rock Indian Reservation near Cannonball, North Dakota, U.S. November 2, 2016. (Photo by Stephanie Keith/Reuters)

A reveller gets ready to dance during a "pow-wow" celebrating the Indigenous Peoples Day Festival in Randalls Island, New York, October 11, 2015. The festival is held as a counter-celebration to Columbus Day and is to promote Native American culture and history. (Photo by Eduardo Munoz/Reuters)

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

Gus Palmer (Kiowa, at left), side gunner, and Horace Poolaw (Kiowa), aerial photographer, in front of a B-17 Flying Fortress. MacDill Field, Tampa, Florida, ca. 1944. (Photo and caption by 2014 Estate of Horace Poolaw)