Workers transport a model of a dinosaur at the exhibition “World of Dinosaurs” at a former lignite surface mining area in Grosspoesna near Leipzig, central Germany, Wednesday, October 29, 2014. A 100-foot long statue of a dinosaur had to be moved Wednesday because German authorities had deemed it a safety risk. Officials feared the sculpture could cause traffic accidents by distracting drivers on a nearby highway. The reptile, one of 50 species on show in the World of Dinosaurs exhibit near Leipzig, was moved to a less conspicuous position further from the road. (Photo by Jens Meyer/AP Photo)

Ethnic Cham Muslim people pass the time near their boats on banks of Mekong river in Phnom Penh July 29, 2013. About 100 ethnic Cham families, made up of nomads and fishermen without houses or land who arrived at the Cambodian capital in search of better lives, live on their small boats on a peninsula where the Mekong and Tonle Sap rivers meet, just opposite the city's centre. The community has been forced to move several times from their locations in Phnom Penh as the land becomes more valuable. They fear that their current home, just behind a new luxurious hotel under construction at the Chroy Changva district is only temporary and that they would have to move again soon. (Photo by Damir Sagolj/Reuters)

Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)

Chinese epidemic control workers wear protective suits as they disinfect each other after performing nucleic acid swab test for COVID-19 on citizens at a government testing site in Xicheng District during an organized tour on June 24, 2020 in Beijing, China. While Chinese government medical officials have said they believe they have controlled the spread, authorities are trying to contain the outbreak linked to the Xinfadi wholesale food market, Beijing's biggest supplier of produce and meat. (Photo by Kevin Frayer/Getty Images)

Hamar women dance before a bull jumping ceremony in Ethiopia's southern Omo Valley region near Turmi on September 19, 2016. The Hamar are a Nilotic ethnic group in Ethiopia. The construction of the Gibe III dam, the third largest hydroelectric plant in Africa, and large areas of very “thirsty” cotton and sugar plantations and factories along the Omo river are impacting heavily on the lives of tribes living in the Omo Valley who depend on the river for their survival and way of life. (Photo by Carl De Souza/AFP Photo)

Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. (Photo by Kim Kyung-Hoon/Reuters)

Pinky Ghelani and Suzzy Wokabi watch a TV broadcast of Britain's Prince Harry and Meghan Markle's royal wedding at the Windsor golf and country club in Nairobi, Kenya May 19, 2018. (Photo by Thomas Mukoya/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)