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Yala national park, Sri Lanka. Category: Action. “The daylight was fading and I was scanning the bush for a leopard. Then, I saw this garden lizard and a common bronzeback snake in the road. When the snake struck, the lizard performed amazing acrobatics to avoid it. The snake didn’t enjoy the extra attention from the crowd of jeeps. The distraction gave the lizard the chance to live another day”. (Photo by Sajith Buddikha Withanage/National Geographic Traveller UK)

Yala national park, Sri Lanka. Category: Action. “The daylight was fading and I was scanning the bush for a leopard. Then, I saw this garden lizard and a common bronzeback snake in the road. When the snake struck, the lizard performed amazing acrobatics to avoid it. The snake didn’t enjoy the extra attention from the crowd of jeeps. The distraction gave the lizard the chance to live another day”. (Photo by Sajith Buddikha Withanage/National Geographic Traveller UK)
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25 Jan 2017 11:26:00
British sculptor Laurence Edwards' striking bronze figures, Walking Men, at Blenheim Palace in Oxfordshire, UK on April 9, 2024. The 8ft tall figures are seen to be anti-heroic and seem to have come from the earth itself. Branches, leaves and clods of clay are woven through them, making it unclear where human and ground begin and end. (Photo by Pete Seaward/South West News Service)

British sculptor Laurence Edwards' striking bronze figures, Walking Men, at Blenheim Palace in Oxfordshire, UK on April 9, 2024. The 8ft tall figures are seen to be anti-heroic and seem to have come from the earth itself. Branches, leaves and clods of clay are woven through them, making it unclear where human and ground begin and end. (Photo by Pete Seaward/South West News Service)
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21 May 2024 13:56:00
vVisitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)
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28 Sep 2022 05:03:00
Professor Xie Yong works on an art installation of a beaver, which is made out of plastic and around 300,000 needles, in Shenyang, Liaoning province, July 23, 2013. The needles, according to Xie, represent the pain felt by animals when their fur is taken off to produce clothing. (Photo by Reuters/Stringer)

Professor Xie Yong works on an art installation of a beaver, which is made out of plastic and around 300,000 needles, in Shenyang, Liaoning province, July 23, 2013. The needles, according to Xie, represent the pain felt by animals when their fur is taken off to produce clothing. (Photo by Reuters/Stringer)
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27 Jul 2013 09:15:00
Mike diving beneath a shallow wave. (Photo by Mark Tipple/Caters News Agency)

Photographer Mark Tipple captured the underwater pictures with his friend Mike as the surfer. But the rough waves of the coast of the Cook Islands slammed Mike into the sea bed during the shoot, causing him to slice his skin open and badly bruise his body. Photo: Mike diving beneath a shallow wave. (Photo by Mark Tipple/Caters News Agency)
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15 Oct 2013 10:59:00
Unwanted phones recreated as interactive birds, part of "Escape III" by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014.  (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)

Unwanted phones recreated as interactive birds, part of “Escape III” by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014. (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)
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04 Jul 2014 10:18:00
A woman dressed in Ukrainian national costume poses for a photograph in front destroyed Russian military equipment at Khreshchatyk street in Kyiv on August 20, 2022, that has been turned into an open-air military museum ahead of Ukraine's Independence Day on August 24, amid Russia's invasion of Ukraine. (Photo by Dimitar Dilkoff/AFP Photo)

A woman dressed in Ukrainian national costume poses for a photograph in front destroyed Russian military equipment at Khreshchatyk street in Kyiv on August 20, 2022, that has been turned into an open-air military museum ahead of Ukraine's Independence Day on August 24, amid Russia's invasion of Ukraine. (Photo by Dimitar Dilkoff/AFP Photo)
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22 Aug 2022 05:45:00
Winners of a competition enjoy a meal 450ft up on the roof of a central London skyscraper on August 21, 2018, as Deliveroo recreates “Lunch Atop a Skyscraper”, the photograph taken during the construction of the Rockefeller Center in New York City, 1932. (Photo by Jonathan Brady/PA Images via Getty Images)

Winners of a competition enjoy a meal 450ft up on the roof of a central London skyscraper on August 21, 2018, as Deliveroo recreates “Lunch Atop a Skyscraper”, the photograph taken during the construction of the Rockefeller Center in New York City, 1932. (Photo by Jonathan Brady/PA Images via Getty Images)
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22 Aug 2018 08:18:00