People visit Luke Jerram's “In Memoriam”, a temporary memorial artwork for all those who lost their lives due to COVID-19, in Seaton Carew Park, Hartlepool, Britain on August 20, 2021. (Photo by Lee Smith/Reuters)

Romanian singing duo Gabriella and Monica Irimia, The Cheeky Girls prforms in Falkirk, Scotland on May 4, 2003. (Photo by Michael Schofield/News Group Newspapers Ltd)

The tusk of a woolly mammoth that lived some 18,000 years ago, from which researchers sequenced the extinct mammal's entire genome, is seen in northeastern Siberia in this photo from 2015. (Photo by Love Dalen/Handout via Reuters)

Two young women jump into a pool on the beach on June 20, 2025 in Margate, United Kingdom. Yellow heat health alerts have been issued by the Met Office with temperatures set to climb as high as 33°C by the weekend. (Photo by Leon Neal/Getty Images)

A servicewoman of the 65th Separate Mechanized Brigade of the Ukrainian Armed Forces attends a military drill near a frontline in Zaporizhzhia region, Ukraine on August 11, 2025. (Photo by Ukrainian Armed Forces via Reuters)

In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)

The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)