Fireworks go off while the beetle goes up in flames after being set on fire during the 11th annual Burning Beetle event on Saturday, January 20, 2024, at Pageant Park in Custer, S.D. The event was created in response to the Mountain Pine Beetle infestation a few years ago and continues to bring awareness to the impact of the beetles. (Photo by Matt Gade/Rapid City Journal via AP Photo)

Antrim's Orlaith Prenter and Cliodhna McElroy of Fermanagh challenge for the ball in the TG4 All-Ireland Ladies Football Junior Championship Final, at Croke Park, Dublin on July 31, 2022. P(Photo by Tom Maher/INPHO)

Suat Demir, a 52-year-old parter, smokes a cigarette after finishing his work day in Istanbul, Turkey, Thursday, October 2, 2025. (Photo by Emrah Gurel/AP Photo)

Myanmar's military parade to mark the 72nd Armed Forces Day in the capital Naypyitaw, Myanmar March 27, 2017. (Photo by Soe Zeya Tun/Reuters)

Tourists take a “selfie” as demonstrators burn a trash container during a May Day rally in Barcelona, Spain, on May 1, 2014. Tens of thousands of workers marked May Day in European cities with a mix of anger and gloom over austerity measures imposed by leaders trying to contain the eurozone's intractable debt crisis. (Photo by Manu Fernandez/Associated Press)

American singer Michael Jackson (1958–2009) arrives at Heathrow Airport with his manager Frank DiLeo, on his Bad World Tour, 11th July 1988. (Photo by Dave Hogan/Getty Images)

Indian girls in traditional attire pose for photographs as they practice the Garba, the traditional dance of Gujarat state, ahead of Navratri festival in Ahmadabad, India, Saturday, October 3, 2015. Navratri or nine night festival will begin on October 13. (Photo by Ajit Solanki/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)