The Greater Sage-Grouse is certainly a formidable-looking bird. Being the largest grouse in North America and having tail feathers, which look like giant spikes, make for a ferocious sight. These birds are well known for their complicated courtship rituals, in which the males perform a special “strutting display” to attract the females. Another distinct feature of the Greater Sage-Grouse is two large yellow throat sacs (gular sacs), which are inflated by the males during the courtship display. Unlike pelicans, whose gular sacs are used to store fish while hunting, the throat sacks of the Greater Sage-Grouse are merely for display.

Nowadays, crossbreeding and gene splicing are creating things that would never have occurred in nature. Thanks to gene splicing, modern man can witness mice that glow in the dark, goats that produce milk which is then used to make bulletproof vests, and even cows that produce milk that is almost identical to human breast milk. One of the latest feats of human genius is the creation of Thompson and Morgan. By combining the genes of tomatoes and potatoes they were able to create a “TomTato”, which is essentially a plant that grows tomatoes and potatoes at the same time. With creations such as this, the world’s hunger problem may be resolved in a few decades.

This series cannot get any cuter! Entitled Life is Adventure, the images portray little kittens and puppies playfully placed within elaborate scenes. To create each setting, the creative team first sketched out ideas and then used everyday household items like books, pillows, and a broom, to bring the imaginative moments to life. In the compositions, kittens ride camels, puppies sail off to sea, upside-down hangars look like seagulls, and a ring of yellow rubber gloves form a sun shining overhead.

A photographer has taken an explosive set of images by igniting gasoline in midair. Rob Prideaux, 45, photographs fire and smoke and then creates patterns from it. The San Francisco-based artist captures the fire in the split second its visible by using highly arcane methods. Rob's Smoke and Fire series is his quest “to shape one of the more uncontrollable phenomena in nature”. (Photo by Rob Prideaux)

These Halloween horrors were all carved out of humble pumpkins by Ray Villafane and his team of professional sculptors who meticulously carved the terrifying characters using spoons and scalpels. Each one takes on average two hours to complete – with the horrifying results netting Villafane, plus colleagues Andy Bergholtz and Chris Vierra, numerous TV appearances each Halloween. This year the team has gone global travelling to Germany, Switzerland and Hong Kong to create their masterpieces. Photo: A horror face carved out of a pumpkin by Ray Villafane and team in Bellaire, Michigan. (Photo by Ray Villafane/Barcroft Media)

The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)

Zarnala is a female illustrator with a knack for anthropomorphic illustration, combining human and animal elements to create something altogether new. Unlike other forms of anthropomorphic art one can find out there though, her work always retains a tasteful, professional edge similar to the feel I get from comics like Juanjo Garnido's take on Blacksad. With an awesome watercolor themed approach to all her illustration work and her use of graphic shapes to frame her characters, at times it gives her art a strangely retro look that reminds one of the works of Norman Rockwell and JC Leyendecker. Check out more of her work after the break!