Paul Dixon is an engineer by day and an astrophotographer by night. He shot this broken boat on Dungeness beach, Kent in the last decade of August 2024, 17 times, stacking the images upon each other before combining them with a similar composite of the Milky Way. (Photo by Paul Dixon/Media Drum Images)

Canada's Charity Williams, left, is tackled by United States' Alex Sedrick, center, and Naya Tapper during a Vancouver Sevens women's rugby match Saturday, February 24, 2024, in Vancouver, British Columbia. (Photo by Ethan Cairns/The Canadian Press via AP Photo)

A gosling sits in the plumage of its mother, in a meadow in Frankfurt, Germany, Saturday, April 13, 2024. (Photo by Michael Probst/AP Photo)

Kai Havertz of Arsenal celebrates after scoring the team's first goal during the Premier League match between Brentford FC and Arsenal FC at Gtech Community Stadium on November 25, 2023 in Brentford, England. (Photo by Mike Hewitt/Getty Images)

Mark Wagner, the collage artist, challenges viewers to examine their relationship with money and the capitalist society in which we live. Photo: “Way of the Dinosaur”, cut one-dollar bills. (Photo by Mark Wagner)

“This grey adult male seal enjoys a good grin while lying on the beach”. (Photo by Michael Hutch/SplashdownDirect via Rex USA)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)