The granddaughter of one of the family members cries after the eviction from their home in El Raval neighbourhood, amid the coronavirus disease (COVID-19) pandemic, in Barcelona, Spain, May 12, 2021. (Photo by Nacho Doce/Reuters)

A woman holds her dog after arriving from Russian-occupied territory at a registration and processing area for internally displaced people in Zaporizhzhia, in Ukraine, on May 8, 2022. (Photo by Dimitar Dilkoff/AFP Photo)

Lewis McKay, two, from East Kilbride, tries out the drums at the 2024 World Pipe Band Championships in Glasgow. on August 16, 2024 Some 204 bands, representing 13 nations and including 9,000 musicians, are competing over two days. (Photo by Wattie Cheung/The Times)

Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

A handout image released by the Taronga Zoo shows Veiled Chameleon hatchlings at Taronga Zoo in Sydney, Australia, 11 March 2015. Taronga has welcomed more than 20 baby chameleons, with the last of three clutches of eggs hatching this week. Veiled Chameleons, or Chamaeleo calyptratus, are native to Saudi Arabia and Yemen and can live up to five years. (Photo by EPA/Taronga Zoo)

A tale of two foxes. Surprising behaviour, witnessed in Wapusk national park, on Hudson Bay, Canada, in early winter. Red foxes don’t actively hunt Arctic foxes, but where the ranges of two predators overlap, there can be conflict. Though the light was poor, the snow-covered tundra provided the backdrop for the moment that the red fox paused with the smaller fox in its mouth in a grim pose. (Photo by Don Gutoski/2015 Wildlife Photographer of the Year)

People dressed in fifties-style outfits dance during the 23rd Rockin' Race Jamboree International Festival in downtown Torremolinos, near Malaga, southern Spain February 4, 2017. (Photo by Jon Nazca/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)