A vendor smokes behind a display of dog meat at a dog meat market on the day of a local dog meat festival in Yulin, Guangxi Autonomous Region, June 22, 2015. (Photo by Kim Kyung-Hoon/Reuters)

In this Saturday, April 13, 2019, file photo, Mariah Bell, center, of the U.S. reacts to her score with her teammates after performing her women's free program routine during the ISU World Team Trophy Figure Skating competition in Fukuoka, southwestern Japan. (Photo by Toru Hanai/AP Photo)

A youth dives into a crater filled with water in Aleppo's al-Shaar district, in this July 10, 2014 file photo. (Photo by Hosam Katan/Reuters)

In this Thursday, May 16, 2013 file photo, Finland's Krista Siegfrids, second right, kisses a dancer as she performs her song “Marry Me” during the second semifinal of the Eurovision Song Contest at the Malmo Arena in Malmo, Sweden. That was the first girl-on-girl kiss in the history of the annual competition. Previously, organizers had sought to prevent similar embraces citing the competition's status as a family event. (Photo by Alastair Grant/AP Photo)

France's defender #07 Sakina Karchaoui (L) and France's forward #11 Kadidiatou Diani (R) celebrate their win at the end of the Australia and New Zealand 2023 Women's World Cup Group F football match between France and Brazil at Brisbane Stadium in Brisbane on July 29, 2023. (Photo by Dan Peled/Reuters)

Britain's Molly Caudery competes in the women's pole vault finals during the IAAF Diamond League competition on May 10, 2024 at the Suheim Bin Hamad Stadium in the Qatari capital Doha. (Photo by Karim Jaafar/AFP Photo)

Poland's Maria Andrejczyk competes in the women's javelin throw final of the athletics event at the Paris 2024 Olympic Games at Stade de France in Saint-Denis, north of Paris, on August 10, 2024. (Photo by Dylan Martinez/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)