Afghan boys stand on a snow-covered street on the TV mountain in Kabul, Afghanistan on January 25, 2023. (Photo by Ali Khara/Reuters)

A man rides a motorcycle on a flooded street following heavy rains in Sanaa, Yemen on April 22, 2024. (Photo by Khaled Abdullah/Reuters)

Afghan girls ride a donkey along a street in Argo district at Badakhshan province on July 30, 2024. (Photo by Omer Abrar/AFP Photo)

A Fulani woman fixes her head scalf on the street of Dapchi, Yobe state, Nigeria on February 27, 2018. (Photo by Afolabi Sotunde/Reuters)

Lilith interacts with spectators in the streets of Toulouse. French street show creator Francois Delaroziere, director of the art company “La Machine”, creates a show in the streets of Toulouse. The new show displays giant characters: Asterion, the Minotaur; Lilith, the scorpion woman; and Ariane, the spider woman. Lilith is fond of the Minotaur and wants to take Asterion to hell with her. Ariane protects Asterion and tries everything to keep Asterion safe. The show is displayed over three days and is attended by dozens of people. During the three days, the giant characters appear in the streets of Toulouse. (Photo by Alain Pitton/NurPhoto)

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Based on the layout of Helm’s Deep featured in Peter Jackson’s film adaptation, this 150,000 brick set piece is astounding. The artists, who go by the names Rich-K and Big J, apparently, nail the atmosphere and scale of the conflict of one Lord of the Rings most iconic scenes. At the time these photos were taken, the model was about 90% complete, with an estimated four months worth of work. The time, money and personal investment that must have gone into this project is impressive.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)