A young boy rests by empty USAID vegetable oil tins in the Dagahaley refugee camp which makes up part of the giant Dadaab refugee settlement on July 19, 2011 in Dadaab, Kenya. The refugee camp at Dadaab, located close to the Kenyan border with Somalia, was originally designed in the early 1990s to accommodate 90,000 people but the UN estimates over 4 times as many reside there. The ongoing civil war in Somalia and the worst drought to affect the Horn of Africa in six decades has resulted in an estimated 12 million people whose lives are threatened. (Photo by Oli Scarff/Getty Images)

A boy dances as he and others participate during the 4th Delhi Queer Pride 2011 March on November 27, 2011 in New Delhi, India. India's Lesbian, Gay, Bisexual and Transgender (LGBT) community celebrated the 4th Delhi Queer Pride March with a parade through the streets of Delhi. People gathered to protest violence, harassment and discrimination faced by the LGBT community in India. (Photo by Daniel Berehulak/Getty Images)

Two boys in the Gorbals area of Glasgow, UK on January 31, 1948. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. (Photo by Bert Hardy/Getty Images)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.

A reveller plays with tomato pulp during the annual Tomatina festival in Bunol, near Valencia, Spain on August 29, 2018. As every year on the last Wednesday of August, thousands of people visit the small village of Bunol to attend the Tomatina, a battle in which tons of ripe tomatoes are used as weapons. This year, a total of 145 tons of ripe tomatoes will be thrown between more than 22,000 participants. (Photo by Heino Kalis/Reuters)