A cat wering glasses lies in a pet dryer at the “Pet Expo Championship” in Bangkok, Thailand on August 30, 2019. (Photo by Mladen Antonov/AFP Photo)

A bus goes through a flooded area in Jiujiang, Jiangxi Province, China, June 19, 2016. A week of torrential rain in southern China has killed dozens of people and forced relocation of tens of thousands of residents, media reported. (Photo by Reuters/China Daily)

A Nepalese Hindu boy in festival attire walks in a procession during “Gai Jatra”, or Cow Festival in Kathmandu, Nepal, Friday, August 19, 2016. Members of Nepal's Newar Community celebrate the festival in memory of their family members who died the preceding year, believing that the cow will guide them in their journey to heaven. (Photo by Niranjan Shrestha/AP Photo)

Jun Sato (2nd L), founder of Japan's first parkour educational institute SENDAI X-TRAIN, demonstrates his parkour skill with other practitionners at a park in Tokyo, Japan November 2, 2016. (Photo by Kim Kyung-Hoon/Reuters)

A large molded bust of Edward Snowden is pictured in Fort Greene Park at the Brooklyn borough of New York in this April 6, 2015 picture provided by ANIMALNewYork. A group of anonymous artists erected the 4-foot-tall bronze statue of Snowden, the former U.S. spy agency contractor famous for leaking classified information, in a New York City park overnight, officials said on Monday. (Photo by Aymann Ismail/Reuters/ANIMALNewYork)

An Andalusian horsewoman waits for the animal to drink water before a classical dressage contest during the Sacab Andalusian Horse Show in Coin, southern Spain, April 12, 2015. (Photo by Jon Nazca/Reuters)

Located in East Java, Indonesia, Kawah Ijen is a volcano is home to the largest acidic crater lake in the world. What turns the waters of the lake in the 1 km caldera its beautiful turquoise color are the highly sulfuric gases emitted from the volcano underneath.

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.