A Chinese man wears a mask to protect against pollution as he waits at a red light while commuting to work in heavy smog on December 8, 2015 in Beijing, China. The Beijing government issued a 'red alert' for the first time since new standards were introduced earlier this year as the city and many parts of northern China were shrouded in heavy pollution. Levels of PM 2.5, considered the most hazardous, crossed 400 units in Beijing, lower than last week, but still nearly 20 times the acceptable standard set by the World Health Organization. The governments of more than 190 countries are meeting in Paris to set targets on reducing carbon emissions in an attempt to forge a new global agreement on climate change. (Photo by Kevin Frayer/Getty Images)

South Korean teenagers participate in a warfare exercise as part of the Special Warfare Command's training course at a military base on August 4, 2011 in Seoul, South Korea. About 1,000 civilian volunteers including middle and high school students participated in the special force's four-day training programme to develop their spiritual and physical strength. (Photo by Chung Sung-Jun/Getty Images)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

A mannequin with boots is stuffed upside down in the snow in front of a home in Nisswa, Minnesota, on March 18, 2013. (Photo by Steve Kohls/The Brainerd Daily Dispatch)

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Though finger painting is normally associated with tempera paint and messy classroom art projects, Iris Scott is quickly changing what "finger painting" brings to mind. Wearing surgical gloves and painting with high grade oils, Iris achieves a whirlwind of crisscrossing color strokes and a vibrant impressionistic style. Since 2009, when Iris first began finger painting in Taiwan, her artistic career has caught her by surprise. Grateful for a new global market of online art collectors, Iris has shipped to Dubai, Ireland, and all over the USA.

“Scott Linstead is an internationally published, freelance wildlife photographer/writer. His clients include Natural History Magazine, Hewlett Packard, Ranger Rick Magazine and a number of wildlife publications in North America and Europe. Scott's column on the techniques of bird photography appears in every issue of Outdoor Photography Canada”.

Photo: A veiled chameleon extends its tongue to catch a cricket. Canadian wildlife photographer Scott Linstead, formerly an aerospace engineer and high school teacher, uses a device called Phototrap “to not only photograph the elusive, but also the unimaginably quick”. (Photo by Scott Linstead)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.