Animal rights activists covered with fake blood sit on the floor during a protest against the use of animals in research to mark World Day for Animals in Laboratories in central Madrid April 24, 2014. The sign reads, “How many rabbits do your shampoo kill?”. (Photo by Andrea Comas/Reuters)

Models show creations by Chinese graduates from the China Academy of Art School of Design during the Show Town China Graduate Fashion Week in Beijing, China, 13 May 2018. (Photo by How Hwee Young/EPA/EFE)

Dead leaf or almost by Guilhem Duvot. Taken in Nován Stráž, Slovakia. Describe what is pictured? A dead leaf grasshopper. How does this image fit with the theme of the competition? The perfect camouflage – nature is amazing. I saw the grasshopper only because it jumped. (Photo by Guilhem Duvot/Royal Society of Biology)

A woman instructs a boy on how to pose for pictures in front of a mural depicting Soviet pilot Valery Chkalov – who took a non-stop flight over the Arctic and landed in the US state of Washington in 1937 – at Chkalovskaya metro station in Moscow on August 14, 2019. (Photo by Yuri Kadobnov/AFP Photo)

Tibetan pilgrims walk outside the Sera Monastery in Lhasa, Tibet Autonomous Region, China, 11 September 2016. Sera Monastery is known as one of the “great three” Gelug university monasteries of Tibet founded in 1419. (Photo by How Hwee Young/EPA)

Bullet the bulldog skateboards in a seafront area in the city of Vladivostok, on Russia's Pacific coast on August 9, 2021. The 6-year-old dog learnt how to skateboard two years ago thanks to his owner, Sergei Shukshuyev. (Photo by Yuri Smityuk/TASS)

Two men push a classic Messerschmidt KR200 “Kabinenroller” at the 7th Cairo Classic Meet in Cairo, Egypt, 23 March 2019. The exhibition for classic cars is held at the Smart Village in Cairo. The exhibition is held to exchange experiences in how to preserve the old cars, and also for promoting tourism. (Photo by Mohamed Hossam/EPA/EFE)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.