A combination photo shows the faces of various attendees of New York Comic Con in Manhattan, New York, October 8, 2015. The event draws thousands of costumed fans, panels of pop culture luminaries and features a sprawling floor of vendors in a space equivalent to more than three football fields at the Jacob Javits Convention Center on Manhattan's West side. (Photo by Andrew Kelly/Reuters)

Natalie Dormer attends the mtvU Fandom Awards at MTV Fan Fest at Comic-Con, July 24, 2014, in San Diego. (Photo by Jordan Strauss/Invision for MTV/AP Images)

Elio Angulo (bottom C) lies inside a cardboard coffin next to Alejandro Blanchard as they introduce their product to potential customers at a mortuary in Valencia, in the state of Carabobo, Venezuela August 25, 2016. When Venezuelan entrepreneurs Alejandro Blanchard and Elio Angulo decided to create cardboard coffins, they were looking for an ecological selling point to compete against classic wood and brass caskets. Three years on, with the oil-rich country mired in deep economic crisis, their “bio-coffins” are becoming a viable option because of high prices for wooden coffins and shortages of brass ones. (Photo by Marco Bello/Reuters)

A student participates in celebrations ahead of the Janmashtami festival, which marks the birth anniversary of Lord Krishna in Mumbai, India, August 23, 2016. (Photo by Danish Siddiqui/Reuters)

Girls dressed in traditional costumes run as men throw water on them as part of Easter celebrations during a presentation to the media in Mezokovesd, Hungary, April 13, 2017. (Photo by Laszlo Balogh/Reuters)

A vendor prepares breakfast on his mobile cart place on a railway track on which train services are suspended temporarily due to festival rush in Kolkata, India, Wednesday, October 2, 2024. (Photo by Bikas Das/AP Photo)

German KUKA Robotics' robot LBR iiwa demonstrates a flower arrangement at the International Robot exhibition in Tokyo, Wednesday, December 2, 2015. (Photo by Shizuo Kambayashi/AP Photo)

In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)