A child watching the sea while residents try to clear the bed of a river that has been blocked by debris left by Hurricane Matthew, in the commune of Roche-a-Bateaux, in the south west of Haiti, on October 21, 2016. At least 546 people were killed and more than 175,000 people lost their homes when Hurricane Matthew roared ashore on October 4, packing winds of 145 miles (230 kilometers) per hour. (Photo by Hector Retamal/AFP Photo)

A local resident of Red Hook, Betty Walsh, crosses a flooded street in Red Hook August 28, 2011 in the Brooklyn borough of New York City. While Hurricane Irene has been downgraded to a tropical storm, it has knocked out power to more than 3 million people and is attributed to 15 deaths as it travels up the Eastern seaboard. (Photo by Robert Nickelsberg/Getty Images)

Blake Perkins #16 of the Milwaukee Brewers gets dunked with Gatorade after the Brewers defeated the Boston Red Sox at American Family Field on April 22, 2023 in Milwaukee, Wisconsin. (Photo by John Fisher/Getty Images)

Dogs and owners run during of 4k pet run “A Race with a Cause”, organized to raise funds for a shelter for rescued dogs in Caracas, Venezuela, Sunday, April 30, 202. (Photo by Ariana Cubillos/AP Photo)

Caroline Wozniacki of Denmark serves to Alisa Kleybanova of Russia during the BNP Paribas Open at the Indian Wells Tennis Garden on March 15, 2011 in Indian Wells, California. (Photo by Matthew Stockman/Getty Images)

A Christmas Tree goes up in flames in a controlled-setting demonstration by the Glendale Fire Department on December 13, 2023, in Glendale, California. Firefighters showed how quickly a dried-out tree can ignite. According to the National Fire Protection Administration, Christmas trees account for hundreds of fires each year, often ignited by shorts in electrical lights or open flames from candles, lighters or matches. (Photo by Frederic J. Brown/AFP Photo)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)