In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)

The Boeoegg, a giant symbolic snowman made of wadding and and filled with firecrackers burns on top of a bonfire in Sechselaeuten square on April 24, 2017 in Zurich. When the bells of the Saint Peter's church chime six o'clock, the bonfire under the snowman is set in fire and the guildsmen wearing historical costumes ride around the bonfire. The faster the head of the snowman explods the warmer and more beautiful the summer will be. (Photo by Michael Buholzer/AFP Photo)

Balinese Hindus carry Pratimas, or symbols of God, on the beach during Melasti, a purification ceremony, ahead of the holy day of Nyepi, in Gianyar on the Indonesian resort island of Bali, March 6, 2016. Nyepi is a day of silence to celebrate the Balinese new year, reserved for self-reflection, where people are not allowed to use lights, light fires, work, travel or enjoy entertainment. (Photo by Roni Bintang/Reuters)

A man and a woman jump over a bonfire during Ivan Kupala Day celebrations held by the Belarusian State Museum of Folk Architecture and Rural Lifestyle in the village of Ozertso near Minsk, Belarus on July 4, 2020. Ivan Kupala Day, also known as Ivana-Kupala or Kupala Night, is a traditional pagan holiday celebrated in eastern Slavic cultures. Various rituals are traditionally performed on Kupala Night, including making flower wreaths, fortune-telling, jumping over bonfires, and burning a wheel-like effigy symbolizing the sun. (Photo by Natalia Fedosenko/TASS)

Marialuisa Tadeis sculpture is very large compared to a life size octopus. The sculptures are made of steel and concrete. They are then turned into a mosaic using hand cut glass. The texture is bumpy because of the mosaic but is smooth on the glass. The main idea behind the sculpture is to explore spiritual and symbolic representation.

“One Third” – a project on food waste by an Austrian photography Klaus Pichler. According to a UN study one third of the world's food goes to waste – the largest part thereof in the industrialized nations of the global north. Equally, 925 million people around the world are threatened by starvation. The series “One Third” describes the connection between individual wastage of food and globalized food production.

Photo: Pineapple. Place of production: Guayaquil, Ecuador. Cultivation method: Outdoor plantation • Time of harvest: All- season. Transporting distance: 10.666 km (linear distance) • Means of transportation: Aircraft, truck. Carbon footprint (total) per kg: 11,94 kg • Water requirement (total) per kg: 360 l. Price: 2,10 € / kg. (Photo by Klaus Picher)

“The Zulu are the largest South African ethnic group, with an estimated 10–11 million people living mainly in the province of KwaZulu-Natal. Small numbers also live in Zimbabwe, Zambia, and Mozambique. Their language, Zulu, is a Bantu language; more specifically, part of the Nguni subgroup. The Zulu Kingdom played a major role in South African history during the 19th and 20th centuries. Under apartheid, Zulu people were classed as third-class citizens and suffered from state-sanctioned discrimination. They remain today the most numerous ethnic group in South Africa, and now have equal rights along with all other citizens”. – Wikipedia.

Photo: A Zulu woman playing the piano while a group of others sit and listen (to put it briefly, Englishmen scoff over Zulu). South Africa, circa 1925. (Photo by General Photographic Agency)