A mosaic artwork, copied from an original painting, is pictured in a workshop in Kafranbel town in the Idlib governorate January 17, 2015. The mosaic workshop with 30 workers, manufactures artistic and revolutionary mosaics in Kafranbel. Each mosaic artwork takes 5 to 10 days to complete. The artists exhibit their artwork in local and international exhibitions, and have a scheduled exhibition this month about the “Syrian Revolution” in Turkey. (Photo by Khalil Ashawi/Reuters)

Marialuisa Tadeis sculpture is very large compared to a life size octopus. The sculptures are made of steel and concrete. They are then turned into a mosaic using hand cut glass. The texture is bumpy because of the mosaic but is smooth on the glass. The main idea behind the sculpture is to explore spiritual and symbolic representation.

David Rawcliffe, house and monument steward at the National Trust's Chedworth Roman Villa cleans a Roman mosiac in the new environmentally-controlled conservation shelter on March 19, 2012 near Cirencester, England. Opened this month, the multi-million pound building allows visitors to walk on suspended walkways just above the 1600-year-old Roman floors and to see recently excavated mosaics not seen for 150 years, with more to be uncovered over the coming year. (Photo by Matt Cardy/Getty Images)

Bob Woodward looks at the reconstruction he built of the Orpheus Pavement at Prinknash Abbey on March 31, 2010 in Gloucester, England. The replica mosiac, made of more than one-and-a-half million pieces of stone is described as one of the most significant archaeological projects of recent times. (Photo by Matt Cardy/Getty Images)