Two women enjoy drinks outside a pub in the soho area of central London on November 4, 2020, on the eve of a second novel coronavirus COVID-19 lockdown in an effort to combat soaring infections. English pubs call last orders at the bar for a month on Wednesday evening, as the country effectively shuts down from November 5, for the second time this year to try to cut coronavirus cases. Prime Minister Boris Johnson insisted that the lockdown for England would end “automatically” in four weeks, as he tried to placate party critics over the spiralling economic fallout. (Photo by Stephen Lock/i-Images)

A surfer falls from their board a day after Tropical Storm Hilary swept through the area with large waves hitting south-facing beaches in Huntington Beach, California, on August 21, 2023. Tropical Storm Hilary drenched Southern California with record rainfall, shutting down schools, roads and businesses before edging in on Nevada on August 21, 2023. California Governor Gavin Newsom had declared a state of emergency over much of the typically dry area, where flash flood warnings remained in effect until this morning. (Photo by Frederic J. Brown/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

Humanoid robots compete in a group match of the 20th RoboCup in Leipzig, Germany, June 30, 2016. About 3,500 participants from 45 countries and regions compete in the robot world championship until 04 July. (Photo by Sebastian Willnow/EPA)

A Funnel Web spider is pictured at the Australian Reptile Park January 23, 2006 in Sydney, Australia. The Funnel Web is one of Australia's deadliest animals, with a venom that is packed with at least 40 different toxic proteins. A bite from a Funnel Web causes massive electrical over-load in the body's nervous system. Finally, fatalities occur from either heart attack or a pulmonary oedema, where the capillaries around the lungs begin to leak fluid and the patient effectively drowns. Death can come as quickly as two hours after a bite if no medical treatment is sought. Due to advances in anti-venom, there has been no death from a Funnel Web bite in Australia since 1980. Australia is home to some of the most deadly and poisonous animals on earth. (Photo by Ian Waldie/Getty Images)

Organizers of an exhibition of ancient instruments of torture in Huai'an, Jiangsu province, have suggested that children, heart disease patients and people with high blood pressure stay away because of the vivid depictions of shocking cruelty. The exhibition has more than 200 instruments of torture on display in the 50,000-square-meter exhibition halls of a restored ancient building. Wax figures, along with sound and light techniques, are incorporated for scary effect. The local government said the exhibition is for tourists and historians to research ancient torture practices. (Photo by ChinaFotoPress)

Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light”. (Photo by Brendan Fitzpatrick)