Two of 20 skulls to be taken possession of by a delegation from Namibia stand on display at a ceremony at Charite hospital on September 30, 2011 in Berlin, Germany. The skulls are from Herero and Nama tribespeople taken by German colonial forces between 1904 and 1908, when the Germans violently suppressed an uprising in what was then German Southwest Africa, which is today's Namibia, and in the process killed tens of thousand of Herero and Nama. German scientists at the time took the skulls back to Berlin to demonstrate the racial superiority of Europeans over black Africans. Many Namibians demand a formal apology from the German government. (Photo by Sean Gallup/Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

“Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French dancer, singer, and actress. Nicknamed the “Bronze Venus”, the “Black Pearl”, and even the “Créole Goddess” in anglophone nations.

Baker was the first African American female to star in a major motion picture and to integrate an American concert hall, and to become a world-famous entertainer. She is also noted for her contributions to the Civil Rights Movement in the United States (she was offered the unofficial leadership of the movement by Coretta Scott King in 1968 following Martin Luther King, Jr.'s assassination, but turned it down), for assisting the French Resistance during World War II and for being the first American-born woman to receive the French military honor, the Croix de guerre”.

Photo: American entertainer Josephine Baker in costume for her famous “banana dance”. Baker was an overnight sensation when she arrived in Paris in the mid-1920s. (Photo by Walery/Getty Images)

Martial Levaillant is a French Artist Who Makes Iron Sculptures With Recycled Objects.

A woman with “I'm Charlie” written on her hand takes part in a Hundreds of thousands of French citizens solidarity march (Marche Republicaine) in the streets of Paris January 11, 2015. French citizens will be joined by dozens of foreign leaders, among them Arab and Muslim representatives, in a march on Sunday in an unprecedented tribute to this week's victims following the shootings by gunmen at the offices of the satirical weekly newspaper Charlie Hebdo, the killing of a police woman in Montrouge, and the hostage taking at a kosher supermarket at the Porte de Vincennes. (Photo by Yves Herman/Reuters)

Ivorian police officers of the Anti-Riot Brigade (BAE) contain the crowd during a performance by French rapper Okou Armand Gnakouri known as Kaaris during the Festival of Urban Music of Anoumabo (Femua) in Abidjan on April 28, 2019. The performance of French-Ivorian rapper Kaaris at the Festival of Urban Music of Anoumabo (Femua) in Abidjan escalated into violence after a crowd surge, causing some minor injuries, according to an AFP journalist at the concert. (Photo by Sia Kambou/AFP Photo)

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create a series of in vogue sculptures, entitled “street stone”. The ensembles are achieved through image manipulation, using photoshop to digitally dress the statues in the latest fashion trends. Persani and Caillard created the project as a humorous take on the contrast between contemporary and classic culture, demonstrating the vast metamorphose society has undergone, and continues to.

An employee collects eggs from inside a dead female sturgeon at the caviar fish farming company “Sturgeon”, the leading French producer, in Saint-Genis-de-Saintonge, France, November 8, 2016. (Photo by Regis Duvignau/Reuters)