Dutch muralist Telmo Pieper turned his childhood drawings into toys. He digitally recreated his childhood paper drawings into the shape of reality with the help of Photoshop. The art series contain toys of weirdest looking animals. Animals like alien looking fly, snail with world’s smallest shell and shoe-shaped whale are the part of his kiddie art series. Take a look and enjoy the memories of your childhood as well.

A boy uses remnants of ordnance as he prepares dough inside Abu Khaled's shop in the Douma neighborhood of Damascus April 28, 2015. Abu Khaled opened a shop for making “barley bread” using remnants of weapons including rockets, tank shells and other ordnance fired by forces loyal to Syria's President Bashar al-Assad. (Photo by Amer Almohibany/Reuters)

Alaa, an ambulance driver, feeds cats in Masaken Hanano in Aleppo, September 24, 2014. Alaa buys about $4 of meat everyday to feed about 150 abandoned cats in Masaken Hanano, a neigbourhood in Aleppo that has been abandoned because of shelling from forces loyal to Syria's president Bashar Al-Assad on it. Alaa said that he has been feeding and taking care of the cats for over 2 months. (Photo by Hosam Katan/Reuters)

Devotees perform religious rituals by splashing holy water during the Madhav Narayan Festival, a month-long event dedicated to Lord Madhav Narayan, an incarnation of Lord Vishnu in Thacho, Lalitpur, Nepal on February 10, 2025. Devotees also carry butter lamps and blow conch shells (shankha) as part of the sacred observance. (Photo by Safal Prakash Shrestha/ZUMA Press Wire)

Andrea Falaschi, the artist who made these creepy Lovecraftian bottles comes from Italy and as he states in his short bio he was born in ’86, during the months of the Chernobyl radiation accident – that changed forever his genes, turning him into a monstrous creature who still lives in a shell of human flesh. Andrea Falaschi is a self-taught sculpturer and painter.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)