Boat crew members train on the waters of the Tonle Sap River on the morning of the first day of the Water Festival on November 13, 2016 in Phnom Penh, Cambodia. The yearly three-day Water Festival is one of the most important holidays in Cambodia and celebrates the end of the rainy season and the start of the rice harvesting. The Festival also coincides with the Tonle Sap river reversing course, which it does twice a year. Approximately 2 million people are expected to attend this year's festival, during which 259 boats and nearly 20,000 oarsmen will participate in the races. After a fatal stampede resulting in the death of some 353 people during the Water Festival in 2010, it has been cancelled four times over the past five years, with weather used as an official excuse. (Photo by Omar Havana/Getty Images)

South Korean environmental activists wearing masks symbolizing the coronavirus attend a prevention campaign as South Koreans take measures to protect themselves against the spread of coronavirus (COVID-19) on March 30, 2020 in Seoul, South Korea. South Korea has called for expanded public participation in social distancing, as the country witnesses a wave of community spread and imported infections leading to a resurgence in new cases of COVID-19. According to the Korea Center for Disease Control and Prevention on Monday, 78 new cases were reported. The total number of infections in the nation tallies at 9,661. (Photo by Chung Sung-Jun/Getty Images)

Nursery plants are seen placed in people's seats during a rehearsal as Barcelona's Gran Teatre del Liceu opera reopens its doors with a concert for plants, to raise awareness about the importance of an audience after the coronavirus lockdown, in Barcelona, Spain on June 22, 2020. The Gran Teatre del Liceu reopens its doors, in which the 2,292 seats of the auditorium will be occupied on this occasion by plants. It will be on 22 June, broadcast live online, when the UceLi Quartet string quartet performs Puccini's “Crisantemi” for this verdant public, brought in from local nurseries. (Photo by Nacho Doce/Reuters)

“Bombay’s once ubiquitous Premier Padmini taxis were introduced in the 60s and are dwindling at an alarming rate. This follows a decree banning vehicles over 25 years old from the streets to be replaced with “modern alternatives”. In a few years these iconic workhorses will be gone from Bombay’s streets altogether. It is important to capture this before it disappears and I see the road wallah's cabs as the time capsules that allow me to do this”. – Dougie Wallace, Bombay India, March, 2013. (Photo by Dougie Wallace)

Light is the sole reason why life exists. It provides us with warmth; it allows us to see; it nourishes all the living things on this planet. Many painters, especially the masters of Old Renaissance Period, have recognized the importance of light and its intimate connection with nature and life itself. In their paintings they gave tribute to light, giving the impression that their paintings had a light source hidden within them. Al Hogue, the artist who created the paintings that you see before you, has studied their techniques for many years. As time went by, light permeated not only his paintings by also his life, becoming his sole philosophy.

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)