A daredevil photographer is determined to capture London in a whole new light – by scaling the city’s many rooftops. Jacob Riglin, from Richmond Upon Thames, photographs the nation's capital from above – hanging from scaffolding, dangling his legs over the edge of buildings and looking down from perilous heights. Such images have gained the photographer, 20, an incredible fan base on Instagram, which has seen his follower count rise to more than 150,000. He said, “I had always been interested climbing and getting that adrenaline rush from feeling on top of the world”. Here: Jacob looking out to the London skyline. (Photo by Jacob Riglin/Caters News)

The National Geographic Photo Ark is a travelling exhibition of photographer Joel Sartore’s quest to create a photo archive of biodiversity around the world. So far, Sartore has captured studio portraits of more than 6,000 species – a number that he hopes to double. On 1 July, the ark will open at Melbourne zoo – the first time it has been exhibited in the southern hemisphere. More than 50 portraits will be on display, including many of Australian endangered animals being protected by programs at the zoo itself. These captions have been edited from text supplied by Melbourne zoo. Here: Barking owl. (Photo by Joel Sartore/National Geographic Photo Ark/The Guardian)

In this Wednesday, January 7, 2015 photo, a Sri Lankan Catholic devotee Rita Anthony kisses her rosary as she prays inside her house in Colombo, Sri Lanka. The Vatican has said that it hopes that Sri Lanka's Christians can play a role in helping heal the wounds of the island nation's bloody 25-year civil war, when the Tamil Tiger rebels fought to create a separate homeland in the north for the minority Tamils, who are mostly Hindu. The war came to a bloody end in 2009, but many Tamils say they feel forgotten by the central government, which is dominated by the country's ethnic Sinhala majority, which is overwhelmingly Buddhist. Sri Lanka's Christians come from both the Tamil and the Sinhala communities, making them a natural bridge between the two sides. (Photo by Eranga Jayawardena/AP Photo)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

Suffering from a broken nose and bruised ribs Natasha Dzhuley, 16, relaxes after inhaling glue for the first time – something she swore she would never do, 2002. She was beaten by her pimps men in what Ruslana believes was a warning to other prostitutes to stay in line. Though another child believes her pimp had her beaten because she was pregnant. Less than a week after this picture of Natasha was taken she was dragged away by six men. She has not been heard or seen since. (Photo by Kurt Vinion /Getty Images)

“Entwined Lives”. Tim Laman, US Winner, Wildlife photographer of the year. A young male orangutan makes the 30-metre climb up the thickest root of the strangler fig high above the canopy in Gunung Palung national park, one of the few protected orangutan strongholds in Indonesian Borneo. Laman had to do three days of climbing to position several GoPro cameras that he could trigger remotely. This shot was the one he had long visualised, looking down on the orangutan within its forest home. (Photo by Tim Laman/2016 Wildlife Photographer of the Year)