“Sally Mann (born in Lexington, Virginia, 1951) is one of America’s most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Her many books include Second Sight (1983), At Twelve (1988), Immediate Family (1992), Still Time (1994), What Remains (2003), Deep South (2005), Proud Flesh (2009), and The Flesh and the Spirit (2010). A feature film about her work, What Remains, debuted to critical acclaim in 2006. Mann is represented by Gagosian Gallery, New York. She lives in Virginia”.

Photo: Candy Cigarette, 1989. (Photo by Sally Mann)

A reveller parades on stage at the annual Trinidad and Tobago Red Cross Society's Children's Carnival Competition at the Queen's Park Savannah in Port-Of-Spain February 7, 2015. (Photo by Andrea De Silva/Reuters)

The spectacular sequence shows the divers reaching out and even petting the 1,000-pound predators as the inquisitive beasts happily pose for the camera. Other pictures show the sharks appearing to swim with the divers as they move towards the water’s surface. The photographs were taken at Tiger Beach, Grand Bahama by photographer, Steve Hinczynski (49) from Venice, Florida, USA. To take his images Steve used a Canon 7D Mark II camera equipped with Ikelite underwater housing. (Photo by Steve Hinczynski/Mediadrumworld)

Jess Lockwood, of Volberg, Mont., is bucked off Johnny Gringo during bull riding rodeo finals at the Calgary Stampede in Calgary, Alberta, Sunday, July 16, 2017. (Photo by Jeff McIntosh/The Canadian Press via AP Photo)

Yin and yang. Sеxy women grey background. Sensual women in erotic lingerie. (Photo by Alamy Stock Photo)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)