Afghan men work in a small sweets factory in Kabul, Afghanistan January 5, 2017. (Photo by Mohammad Ismail/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Lily Donaldson attends the “Loveless (Nelyubov)” screening during the 70th annual Cannes Film Festival at Palais des Festivals on May 18, 2017 in Cannes, France. (Photo by Tristan Fewings/Getty Images)

Air Force One casts its shadow over homes as it comes in to land in Allentown, Pennsylania with U.S. President George W. Bush aboard in this October 1, 2004 file photo. (Photo by Jason Reed/Reuters)

Germany's Rebecca Knaak kicks the ball during the Women's Nations League final soccer match between Spain and Germany in Madrid, Spain, Tuesday, December 2, 2025. (Photo by Bernat Armangue/AP Photo)

A close up of a caracal lynx's face looking into a camera on January 2014 in Western Cape, South Africa. (Photo by Dale Morris/Barcroft Media)

“This is a shot I have envisioned in my head for a while, and only possible to shoot today with the invention of the GoPro. Shot at a beach break near my home. The board broke on this wave, but the vision made it worthwhile. Shot with the GoPro Hero 3+ and a Gripstick Pro Mount”. (Photo and caption by Mike Coots)

Krysten Ritter is seen at Sundance Festival on January 19, 2014 in Park City, Utah. (Photo by Alo Ceballos/GC Images)