Italy's Louis Phillip Vito III falls as he competes during the men's halfpipe qualification round at the 2022 Winter Olympics, Wednesday, February 9, 2022, in Zhangjiakou, China. (Photo by Francisco Seco/AP Photo)

On the July 10, 2025, an elderly couple in Eonam-dong, Jung-gu, Daejeon, who finished their field work, cooled off by sitting on a bench in the yard near the water tap. (Photo by Shin Hyeon-jong)

A woman is tattooed by an artist during Warsaw Tattoo Convention 2014 in Warsaw November 29, 2014. (Photo by Kacper Pempel/Reuters)

“This grey adult male seal enjoys a good grin while lying on the beach”. (Photo by Michael Hutch/SplashdownDirect via Rex USA)

Technicians check a CRH high-speed train at Shanghai Hongqiao High-speed train base on December 28, 2011 in Shanghai, China. China's railway stations have started today to sell tickets for the 2012 Spring Festival travel season scheduled to run between January 8th and February 16th, centred around the Chinese New Year which this year falls on January 23rd. (Photo by ChinaFotoPress/Getty Images)

Mark Wagner, the collage artist, challenges viewers to examine their relationship with money and the capitalist society in which we live. Photo: “Way of the Dinosaur”, cut one-dollar bills. (Photo by Mark Wagner)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)