A staff member demonstrates how she puts on the helmet of a mock space suit at the C-Space Project Mars simulation base in the Gobi Desert outside Jinchang, Gansu Province, China, April 17, 2019. The facility – comprising several interconnected modules including a greenhouse and a mock decompression chamber – opened its doors to the public. (Photo by Thomas Peter/Reuters)

A man lays in front of a tank in the entrance to Istanbul's Ataturk airport, early Saturday, July 16, 2016. Members of Turkey's armed forces said they had taken control of the country, but Turkish officials said the coup attempt had been repelled early Saturday morning in a night of violence, according to state-run media. (Photo by Ismail Coskun/IHA via AP Photo)

Saraa Mutawkil (R), 18, practises boxing at Al Rabie club in Omdurman May 10, 2016. (Photo by Mohamed Nureldin Abdallah/Reuters)

The civilised world lies on its knees, a sickness wracking its body. The affliction causes a necrotising of tissues so perfectly uniform in distribution that victims take on the appearance of corpses long before death occurs due to organ failure or secondary infections. ...

A vendor smokes behind a display of dog meat at a dog meat market on the day of a local dog meat festival in Yulin, Guangxi Autonomous Region, June 22, 2015. (Photo by Kim Kyung-Hoon/Reuters)

A girl plays kayagum, stringed Korean harp, at the Tongmun kindergarten No.1 in Taedonggang District of Pyongyang, North Korea Tuesday, May 16, 2023. (Photo by Cha Song Ho/AP Photo)

People eat sushi off the body of a model at an opening event of a bar in Taiyuan, Shanxi province, August 22, 2015. (Photo by Reuters/Stringer)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)