An instructor (C) adjusts the posture of students of flight attendant major during a training session at Anhui Foreign Languages University, in Hefei, Anhui province, China, May 25, 2015. (Photo by Reuters/China Daily)

Samba dancers pose for a photo ahead of the Notting Hill Carnival parade, in London, Britain on August 26, 2024. (Photo by Hollie Adams/Reuters)

Girls dressed up in traditional Egyptian clothes from the early 20th century pose for a picture before they get their photos taken on the historical Al-Moez street of Islamic Cairo, Egypt, January 17, 2016. (Photo by Asmaa Waguih/Reuters)

A fighter belonging to Jaish al-Islam (Islam Army) runs to take cover near the frontline on March 14, 2016 in the neighbourhood of Jobar, on the eastern outskirts of the capital Damascus. (Photo by Amer Almohibany/AFP Photo)

Children walk past the partially collapsed boundary wall of a school and a Buddhist shrine that were damaged during the earthquake earlier this year at Khumjung, a typical Sherpa village in Solukhumbu district also known as the Everest region, in this picture taken November 30, 2015. (Photo by Navesh Chitrakar/Reuters)

A baby elephant gives himself a dust bath in Kruger National Park, South Africa early November 2022. (Photo by Sylvie Failletaz/Solent News)

A model stands next to a BMW X6 AC Schnitzer car at Auto China 2012 in Beijing in this April 24, 2012 file photo. Amid the razzmatazz, music and crowds at the Shanghai autoshow on Monday, hundreds of attractive young women, and men, mingled among the stands and company booths, introducing the newest sedans and handing out pamphlets. For years, models have been a staple at China's big autoshows – as much of a draw as the latest car models themselves. 2015 is different – the organisers have banned models from the Shanghai show. (Photo by Jason Lee/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)