A zoo curator using a kayak tries to catch a pelican in order to move him into its winter enclosure at the zoo in Liberec, Czech Republic, Tuesday, November 16, 2021. (Photo by Petr David Josek/AP Photo)

Hamish the polar bear tries out his new enclosure at the Yorkshire Wildlife Park at Branton, Doncaster on November 6, 2020, after moving from the Highland Wildlife Park in Scotland. Hamish was the first polar bear to be born in the UK. (Photo by Danny Lawson/PA Wire Press Association)

A blue tit comes face to face with its reflection in a car wing mirror in east Yorkshire in the last decade of July 2022. The photographer said: “I sat watching this little blue tit for 30 minutes as it fought with its own reflection”. (Photo by Dave Newman/Solent News)

People run along a street as rain caused by tropical storm Alberto, the first named storm of 2024 Atlantic hurricane season, falls, in Monterrey, Mexico. on June 19, 2024. (Photo by Daniel Becerril/Reuters)

A firefighter is seen next to flames while working to extinguish a wildfire burning in Gondomar, northern Portugal on July 29, 2025. Almost 2,000 firefighters battled on July 29, 2025 to contain forest blazes across Portugal that have led to almost the whole country being put on high alert for fires. Ten major fires blazed with two in the north and three in the centre of the country causing most concern. (Photo by Carlos Costa/AFP Photo)

These images capture the intricate details of minuscule snowflakes, moments before they melt. The shots were taken by Don Komarechka, 31, who has had a lifelong fascination with all things macro – especially snowflakes. The professional photographer says people often don’t believe that his pictures are real because they’re so perfect. (Photo by Don Komarechka/Caters News Agency)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)