Chile's Javier Campillay drives past the burning car of Kazakhstan's Bauyrzhan Issabayev and Gabdulla Ashimov during the Dakar Rally 2014 Stage 2 from San Luis to San Rafael, on January 6, 2014. (Photo by Jean-Paul Pelissier/AFP Photo)

Stranded cars remain in a flooded street during an intense rainstorm in Havana, on April 29, 2015. Two people were killed, three buildings collapsed and another 24 suffered some kind of damage due to the heavy rain that affected several sectors of Havana Wednesday. (Photo by Yamil Lage/AFP Photo)

A car passes through an area of the boardwalk hit by strong waves in Havana, Cuba, 05 February 2024. The Cuban Institute of Meteorology (Insmet) recorded strong gusts of wind of up to 104 kilometers per hour and strong waves in the west of the island due to a cold front associated with an “extratropical low”. (Photo by Ernesto Mastrascusa/EPA)

A view of the wheel of the car of First place British driver Lando Norris of McLaren F1 Team after the Singapore Formula One Grand Prix at the Marina Bay Street Circuit, Singapore, 22 September 2024. (Photo by Tom White/EPA)

Mercedes' team members practice a pit stop with the car of Italian driver Andrea Kimi Antonelli ahead of the Formula One Chinese Grand Prix at the Shanghai International Circuit in Shanghai on March 20, 2025. (Photo by Héctor Retamal/AFP Photo)

Staff from Local Ocean Conservation and fishermen lifting a mature Loggerhead sea turtle into a car, after the turtle was hooked out on the open water and needs to be taken to observation in the rehabilitation centre before being released back into the ocean, in Watamu, Kenya on May 22, 2025. (Photo by Fredrik Lerneryd/AFP Photo)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)