A bull hits a reveller during the first running of the bulls of the San Fermin festival in Pamplona, Spain, July 7, 2018. Each day at 8am hundreds of people race with six bulls, charging along a winding, 848.6-metre (more than half a mile) course through narrow streets to the city's bull ring, where the animals are killed in a bullfight or corrida, during this festival dating back to medieval times and also featuring religious processions, folk dancing, concerts and round-the-clock drinking. (Photo by Vincent West/Reuters)

The Grevy’s Illusion by Yaron Schmid, USA: a Grevy’s zebra staring at the camera in Lewa, Kenya. Third place – wildlife. (Photo by Yaron Schmid/The Nature Conservancy Global Photo Contest 2019)

Billions of newly hatched locusts are spreading throughout Israel's South. The young locusts identified in the Negev Desert area are the offspring of locust swarms that entered Israel from Egypt in March. (Photo by Eliahu Hershkovitz/Haaretz)

Women activists wearing veils gather at during a rally organised by the collective #NousToutes against feminicides at Place du Pantheon in Paris on October 9, 2022. (Photo by Julien de Rosa/AFP Photo)

Italy's Louis Phillip Vito III falls as he competes during the men's halfpipe qualification round at the 2022 Winter Olympics, Wednesday, February 9, 2022, in Zhangjiakou, China. (Photo by Francisco Seco/AP Photo)

Dear England, a play by James Graham about the former England football manager Gareth Southgate, will return to the National Theatre in March 2025. The Olivier award-winning production will be staged at the Olivier theatre in London until May 24, followed by a four-week run at the Lowry in Manchester. (Photo by Marc Brenner)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)