A jockey falls off during a traditional Barapan Kebo or buffalo races, in Taliwang, on the island of Sumbawa, West Nusa Tenggara, Indonesia November 22, 2015. Around 250 pairs of water buffalo took part in the Barapan Kebo ahead of the planting season, for prizes which included a top prize of a pilgrimage to Mecca. (Photo by Sigit Pamungkas/Reuters)

The Mike O'Callaghan–Pat Tillman Memorial Bridge is an arch bridge in the United States that spans the Colorado River between the states of Arizona and Nevada. The bridge is located within the Lake Mead National Recreation Area approximately 30 miles (48 km) southeast of Las Vegas, Nevada, and carries U.S. Route 93 over the Colorado River.

In this Wednesday, January 27, 2016 photo, Jung Myoung Sook, 61, holds her puppies she rescued at a shelter in Asan, South Korea. In the country, where dogs are considered a traditional delicacy and have only recently become popular as pets, Jung's love for her canine friends is viewed by some as odd. But others see her as a champion of animal rights. (Photo by Lee Jin-man/AP Photo)

The mummy of Yuya thought by some to be Josua who, after Moses, led the Hebrews into the Promised land and logically would be the father-in-law of Amenophis III, at Cairo Museum, Egypt. (Photo by Patrick Landmann/Cairo Museum/Getty Images)

A woman runs through a sea foam, as a seasonal cold front moved over the Cape Peninsula, following a week of severe weather and flooding in Cape Town, South Africa on June 19, 2023. (Photo by Nic Bothma/Reuters)

In this July 23, 2013 photo, sand fills an abandoned house in Kolmanskop, Namibia. Kolmanskop, was a diamond mining town south of Namibia, build in 1908 and deserted in 1956. SInce then, the desert slowly reclaims its territory, with sand invading the buildings where 350 German colonists and more than 800 local workers lived during its hay-days of the 1920s. (Photo by Jerome Delay/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)