Cars float up from a car garage in a mixture of storm water and gasoline in lower Manhattan as workers begin the process of pumping out the mess. (Photo by Carolyn Cole/Los Angeles Times/MCT)

A person carries a fan in Westminster, London, Britain, 12 July 2022. Britain has been issued with an amber weather warning for the weekend as experts predict that temperatures could rise to the high thirties and Sunday could be the hottest day on record for the UK. (Photo by Tolga Akmen/EPA/EFE/Rex Features/Shutterstock)

Portugal's Cristiano Ronaldo poses for a photo with Giuliana, a fan from Brazil, as he arrives with the Portuguese team at Lisbon airport to depart for the World Cup in Qatar, Friday, November 18, 2022. (Photo by Armando Franca/AP Photo)

Handout grab taken from YouTube of Commander Chris Hadfield who has said goodbye to life on the International Space Station by making a cover version of David Bowie's Space Oddity. Issue date: Monday May 13, 2013. (Photo by Commander Chris Hadfield/YouTube/PA Wire)

A commuter gestures to Boris Johnson as he rides across Vauxhall Bridge in London, England on November 19, 2015. The London mayor was opening a cycle superhighway. (Photo by John Stillwell/PA Wire)

A hungry cow smiles for the camera in Salzburg, Austria. One of a series of funny animal mugshots taken by Chanel Cartell and Stevo Dirnberger during their travels around the globe. (Photo by Chanel Cartell/Stevo Dirnberger/Rex Features/Shutterstock)

Henry Frayne of Australia shows his ability to triple jump the lenghth of more than two Formula 1 cars during a press conference at Albert Park on February 29, 2012 in Melbourne, Australia. (Photo by Robert Prezioso/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)