Τhe hovering car without wheels, also called the hovercar, is a constant fixture in science fiction films, video games and comic books, and a long-standing dream for car lovers and technology fans alike. This dream is also shared by French photographer Renaud Marion, who creates images depicting hovering cars in everyday urban settings. In his ongoing photographic project titled ‘‘Air Drive’’, Marion combines retro car designs with futuristic technology, a project driven by his childhood visions of how the world was going to look like in the future. (Photo by Renaud Marion)

Phuket, Thailand. The girl is in the pool, which is higher than the land, and the elephant is on the land behind the pool. The photographer used an underwater bag to get a half submerged image. (Photo by Justin Mott)

“Newton was born in Berlin, the son of Klara “Claire” (Marquis) and Max Neustädter, a button factory owner. His family was Jewish. Newton attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he purchased his first camera, he worked for the German photographer Yva (Elsie Neulander Simon) from 1936. The increasingly oppressive restrictions placed on Jews by the Nuremberg laws meant that his father lost control of the factory in which he manufactured buttons and buckles; he was briefly interned in a concentration camp on “Kristallnacht”, November 9, 1938, which finally compelled the family to leave Germany. Newton's parents fled to South America. He was issued with a passport just after turning 18, and left Germany on December 5, 1938. At Trieste he boarded the “Conte Rosso” (along with about 200 others escaping the Nazis) intending to journey to China. After arriving in Singapore he found he was able to remain there, first and briefly as a photographer for the Straits Times and then as a portrait photographer”. – Wikipedia

Photo: Sigourney Weaver by Helmut Newton, 1995.

Clash of the storms, New Mexico, US by Camelia Czuchnicki. “A clash between two storm cells in New Mexico, US, each with its own rotating updraft. The curved striations of the oldest noticeable against the new bubbling convection of the newer. It was a fantastic sight to watch and it’s the rarity of such scenes that keep drawing me back to the US Plains each year”. (Photo by Camelia Czuchnicki/Weather Photographer of the Year 2016)

The battle by Jose Garcia, US. Category: bird behaviour. A great white heron (Ardea herodias occidentalis) fighting a green snake in the Florida Everglades. The fight lasted for nearly 20 minutes with the heron having to release its prey. (Photo by Jose Garcia/2017 Bird Photographer of the Year Awards)

Bloodthirsty by Thomas P. Peschak, Germany/South Africa — winner, Behaviour: birds. When rations run short on Wolf Island, in the remote northern Galápagos, the sharp-beaked ground finches become vampires. Their sitting targets are Nazca boobies and other large birds. The finches rely on a scant diet of seeds and insects, which regularly dries up, so they drink blood to survive. ‘I’ve seen more than half a dozen finches drinking from a single Nazca booby,’ says Tom. Rather than leave their nests the boobies tolerate the vampires, and the blood loss doesn’t seem to cause permanent harm. (Photo by Thomas P. Peschak/2018 Wildlife Photographer of the Year)

In this publication you can see some best pictures of photographer Chris Hondros, who was killed on April 20, 2011 by a rocket-propelled grenade (RPG) in Misrata, Libya.

Photo: “Getty Images” photographer Chris Hondros (1970–2011) walks the ruins of a building August 21, 2006 in southern Beirut, Lebanon. (Photo by Getty Images)

“Entwined Lives”. Tim Laman, US Winner, Wildlife photographer of the year. A young male orangutan makes the 30-metre climb up the thickest root of the strangler fig high above the canopy in Gunung Palung national park, one of the few protected orangutan strongholds in Indonesian Borneo. Laman had to do three days of climbing to position several GoPro cameras that he could trigger remotely. This shot was the one he had long visualised, looking down on the orangutan within its forest home. (Photo by Tim Laman/2016 Wildlife Photographer of the Year)