Mounted cop in action on Tremont Street in Boston, Massachusetts, 1920 – 1929 (approximate). (Photo by Leslie Jones)

Father Christmas arriving at the Arding and Hobbs store in Clapham Junction, London, 2nd November 1926. (Photo by H. F. Davis/Topical Press Agency/Getty Images)

A model of a ghost made from translucent fibreglass is lit from inside at Gem's (Wax Models) Ltd, in the Portobello Road area of west London. The ghost is due to go to the Capistrano Mission Museum in California, where tourists are told the legend of how he frightened a young Indian girl novice to death. 1st May 1965. (Photo by Chris Ware/Keystone Features)

Mug shot of William Stanley Moore, 1 May 1925, Central Police Station, Sydney. This picture appears in the Photo Supplement to the NSW Police Gazette, 28 July, 1926 captioned: “Opium dealer. Operates with large quantities of faked opium and cocaine. A wharf labourer; associates with water front thieves and drug traders”. (Photo by NSW Police Forensic Photography Archive, Justice & Police Museum, Histiric Houses Trust of NSW)

A model train travels past a scaled model of New York's Grand Central Station built entirely with plant parts during a media preview of the 25th annual Holiday Train Show at the New York Botanical Garden in the Bronx borough of New York City, U.S., November 14, 2016. (Photo by Mike Segar/Reuters)

A polka-dotted foreign roadster for Polka-dot Queen Chili Williams was created by International Motors, a Hollywood automobile importer, shown March 8, 1948. Chili, a sports car enthusiast, requested that the British auto be “personalized”. (Photo by AP Photo)

Art photography gallery Lumas has opened its doors to “Masterpieces of Fashion Photography” exhibition at its London flagship space, showcasing previously unreleased images by legends such as Horst P. Horst, Edward Steichen, Bert Stern and Arthur Elgort. Here: Darryl Hannah on elephant, 1992. (Photo by Michel Comte/Vogue Archive Collection)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)