An image from House Television shows Republican John Rose speaking on the floor of the House of Representatives as his son Guy makes a face in Washington DC, US on June 4, 2024. (Photo by AP Photo)

A young baboon receives an earful from an adult as another primate yanks its tail at Kruger National Park, South Africa in the first decade of July 2024. (Photo by John Mullineux/Solent News)

(L-R) Charlotte Lawrence and Olivia Rodrigo attend the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California. (Photo by John Shearer/Getty Images for The Recording Academy)

American television personality Stassi Schroeder visits The Empire State Building on April 23, 2025 in New York City. (Photo by John Nacion/Getty Images for Empire State Realty Trust)

Dogs gather at the cathedral during the Procession of the Animals at the annual Feast of Saint Francis and Blessing of the Animals, held at The Cathedral of St. John the Divine in the Manhattan borough of New York, on October 5, 2025. (Photo by Eduardo Munoz/Reuters)

A Colombian anti-narcotics policeman stands guard after burning a cocaine lab, which police said belongs to criminal gangs, in a rural area of Calamar in Guaviare state, Colombia, August 2, 2016. Colombian law enforcement has destroyed 104 cocaine laboratories capable of producing some 100 tonnes of the drug annually, the head of the anti-narcotics police said on Tuesday. (Photo by John Vizcaino/Reuters)

Thailand's King Bhumibol Adulyadej in serious portrait January 01, 1960. Thailand's Royal Palace said on Thursday, October 13, 2016, that Thailand's King Bhumibol Adulyadej, the world's longest-reigning monarch, has died at age 88. (Photo by John Dominis/The LIFE Picture Collection/Getty Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)