Regina Sarrubbo (25, Long Island resident, personal fitness trainer) takes advantage of the Brooklyn Bridge Park in NYC waterfront by working on her flexibility moves on June 18, 2020. (Photo by Paul Martinka/The New York Post)

Shaymaa Ismaa’eel, a 24-year-old Muslim woman passes by a group of angry protesters at an Islamic conference in Washington, DC on April 21, 2019. In response, she crouched in front of them and flashed a peace sign. The photo, posted on Instagram, prompted an outpouring of support. (Photo by Shaymaa Ismaa'eel/Instagram)

Actresses Pamela Anderson (L) and Elizabeth Hurley pose together as they arrive at the Vanity Fair post-Academy Awards party at Mortons in Los Angeles, March 25, 2001. (Photo by Frederick M. Brown/AFP Photo via Getty Images)

A sales woman of a fish shop shows king crabs to a customer and negotiates the price in Noryangjin Fish Market is seen on August 1, 2015 in Seoul, South Korea. Noryangjin Fish Market was established in 1927 as Gyeongseong Susan in Jung-gu near Seoul Station and moved to its current location in 1971. (Photo by Shin Woong-jae/The Washington Post)

As the sun sets on the Malecon in Havana on Friday January 23, 2015, Surenis Angulo de la Paz, 24, center, dances as group of locals play music around her. Behind her is Fidel Lopez, 55. (Photo by Sarah L. Voisin/The Washington Post)

An attendee dances at the start of the “Big Goth Dance Party” during the Porcupine Freedom Festival, or PorcFest, the Free State Project's annual summer gathering in Lancaster, NH on Wednesday, June 25, 2014. (Photo by Matthew Cavanaugh/The Washington Post)

Biologist Kelly Martin records her measurements of Electra, a 5 1/2 foot leatherback turtle nesting on the beach behind the Seminole Golf Club course in Juno Beach. Martin uses a red light which is invisible to turtles. (Photo by Greg Lovett/The Palm Beach Post)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)