A “creuseur”, or digger, a plastic lantern on his head, readies to enter a copper and cobalt mine in Kawama, Democratic Republic of Congo on June 8, 2016. Cobalt is used in the batteries for electric cars and mobile phones. Working conditions are dangerous, often with no safety equipment or structural support for the tunnels. The diggers say they are paid on average US$2-3/day. (Photo by Michael Robinson Chavez/The Washington Post)

A vendor carries her products in a bucket on her head as she walks through the neighborhood of Jalousie, in the commune of Petion Ville, Port-au-Prince, on December 17, 2018. On the hills of Port-au-Prince, a chaotic jumble of structures stretches ever farther into the distance: Haiti's capital is suffering under the weight of high inflation, endemic corruption and a perilous drop in the value of its currency. Jalousie is a poor neighborhood of the capital which lacks sanitation and potable water. (Photo by Hector Retamal/AFP Photo)

A supercell thunderstorm develops, May 8, 2017 in Elbert County outside of Limon, Colorado. With funding from the National Science Foundation and other government grants, scientists and meteorologists from the Center for Severe Weather Research try to get close to supercell storms and tornadoes trying to better understand tornado structure and strength, how low-level winds affect and damage buildings, and to learn more about tornado formation and prediction. (Photo by Drew Angerer/Getty Images)

This photo provided by Running Press and Quarto, Inc. shows Feline Fox from the book, “Cats in Hats”, published by Running Press. The book released on March 24, 2015. (Photo by Liz Coleman/Running Press/Quarto, Inc. via AP Photo)

“Bodies in urban spaces” is a temporarily intervention in diversified urban architectonical environment. The intention of “bodies in urban spaces” is to point out the urban functional structure and to uncover the restricted movement possibilities and behavior as well as rules and limitations. Photo: “Bodies in Urban Spaces”, September 26, 2010. (Photos by Andrew Russeth)

At the end of rice harvesting season, the folks of the Kagawa and Niigata Prefectures in Japan hold a straw festival to celebrate the abundance of the harvest. Dried straws cover wooden frames to form larger-than-life sculptures from animals like sharks and gorillas to vessels such as ships and tanks. The family-friendly event invites visitors of all ages to engage, interact, and play on the enormous structures.

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)