Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.

Photochromes are vibrant and nuanced prints hand-coloured from black-and-white negatives. Created using a process pioneered in the 1880s, these images offer a fascinating insight into the world when colour photography was still in its infancy. A Tour of the World in Photochromes is at the Swiss Camera Museum, Vevey, until 21 August. Here: Street food in the Strada del Porto in Naples, Italy, 1899. (Photo by Swiss Camera Museum/The Guardian)

Yogis and street performers have been simulating levitation with nifty contraptions forever. They appear to be held aloft via nothing but their preternatural mental prowess. But are really enjoying the benefits of basic physics just like the rest of us when we use a chair. However, just because it’s perfectly explainable doesn’t mean it isn’t nifty. I’m especially impressed by this 2-person version and am still trying to work out how exactly the chair they’re using is shaped at the base.

“The Qassam rocket is a simple steel artillery rocket developed and deployed by the Izz ad-Din al-Qassam Brigades, the military arm of Hamas. Three models have been produced and used between 2001 and 2011”. – Wikipedia

Photo: A rocket, similar to the Al-Qassam rockets used against Israeli is prepared for launch as new members of the Islamic Jihad fighters show their skills as they attend a military show in the former Israeli jewish settlement of Atsmona September 26, 2008 in Rafah, southern of Gaza Strip. (Photo by Abid Katib/Getty Images)

If you ever wanted to wear houses on your finger, now’s your chance (though it’s hard to imagine that any sane person would have such a desire)! Clive Roddy offers you an opportunity to fulfill your dream of having a ring that features houses, waves, mountains, or trees. In order to create these rings, first the metal is cut using a laser, and then the whole thing is hand painted using colored enamel. Though these rings are very pretty, it is hard to imagine someone wearing such a ring on everyday basis. These types of rings should probably be reserved for special occasions or festivals, rather than for everyday use. (Photo by Clive Roddy)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

The Florida Keys are famous for their diving, but they are less well known for another quirky attraction: the mailboxes residents use to decorate their driveways. From a fiberglass manatee in lipstick to a small white church, Reuters photographer Wolfgang Rattay documented this unusual aspect of local culture as he drove along the Ocean Highway that connects the islands. Photo: A mailbox in the shape of a fire truck is seen along the highway US-1 in the Lower Keys near Marathon in Florida, July 11, 2014. (Photo by Wolfgang Rattay/Reuters)

Grand Rapids (Michigan) based illustrator and artist Scott Gundersen creates his portraits from thousands of used and recycled corks. Starting with a large photograph that’s transferred to a drawing, Gundersen pins each cork to the canvas, creating a correlation between the hues of the wine-stained corks and the value of light or shadow in the portrait. Scott Gundersen has made these incredible portraits, one using 3,621, 3,842 and the other using 9,217 natural wine corks.