Mimi Kirchner is a Boston-based fiber artist. She live with husband in a Victorian era (1892) 2-family house. Have 3 kids who are mostly grown up and doing their own things. She graduated from Carnegie-Mellon University in 1976 with a BFA.

A five meters high sculpture “Pentateuque” created by Contemporary French artist Fabien Merelle, is displayed in Central, business district of Hong Kong, Tuesday, May 21, 2013. The artwork brings to real life the fantastical and seemingly impossible act of an average man balancing a gigantic elephant. The elephant and the man are modeled on one at the Singapore Zoo and on the artist himself. (Photo by Kin Cheung/AP Photo)

Armed officers of Lewa Wildlife Conservancy's (LWC) anti-poaching unit look out from a ridge at dawn in Meru, on July 31, 2021, as they wind up their nightly security patrol against poaching and illegal incursions into the conservancy. Despite the global condemnation of poaching and the resources that have been mobilised to safeguard endangered wildlife, well-funded and well-equipped poaching groups continue to pose a real threat to Africa’s wildlife. (Photo by Tony Karumba/AFP Photo)

A couple of roving film fangirls have recreated some of their favorite TV and movie moments by traveling to the exact locations and capturing them using their iPad. Tiia Öhman and Satu Walden have travelled thousands of miles across North America and Ireland to recapture the magic of their best loved scenes. However, instead of featuring their movie heroes, the pair, from Cardiff, have replaced them with an iPad or a phone screen displaying the action. Here: a scene from the film Die Hard With A Vengeance, and its location in real life 72nd Street Subway, New York. (Photo by Tiia Öhman/Caters News)

Emily Blincoe is an artist from Austin, Texas. Apparently, she likes to collect and classify things. This is cute, what a sugar overdose.

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)