British TV personality and actress Ekin-Su Cülcüloğlu, former Love Islander on February 23, 2024. Commissioned by Fabulous Magazine and shot by Mark Hayman. (Photo by News Group Newspapers Limited)

English-born American model Emily Ratajkowski looks stunning as she models a new clothing collection for Express on October 28, 2016. The Blurred Lines beauty, 25, poses in a lace bralette for the US brand, as well as showing off her sporty side in athletics wear. (Photo by Express/Splash News and Pictures)

A woman carries a 'Climate Clock' as activists mark the start of Climate Week in New York during a demonstration calling for the U.S. government to take action on climate change and reject the use of fossil fuels in New York City, New York, U.S., September 17, 2023. (Photo by Eduardo Munoz/Reuters)

Cast member George Clooney kisses the hand of his wife Amal Clooney on the red carpet for the screening of ”Jay Kelly” on August 28, 2025. (Photo by Yara Nardi/Reuters)

Cuban-American actress Ana De Armas shows off her freckles in Puerto Rico early September 2025. (Photo by ana_d_armas/Instagram)

Actress Cristin Milioti attends the HBO Max Primetime Emmy Awards Afterparty at San Vicente Bungalows on September 14, 2025 in West Hollywood, California. (Photo by David Jon/Getty Images for HBO Max)

The Lumix GX1 single lens reflex (SLR) camera with 14-42 mm powerzoom lens is displayed at the Panasonic booth at the 2012 International Consumer Electronics Show at the Las Vegas Convention Center January 10, 2012 in Las Vegas, Nevada. The new camera comes with an external viewfinder and flash and an ISO up to 12,800. The camera as shown sells for USD 949; the camera body alone is USD 799. (Photo by Ethan Miller/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)