A retired man (L) looks toward two girls wearing miniskirts, July 13, 1969 in Nice, France. (Photo by AFP Photo)

Carla Bruni attends the L' Oreal Party at the Beach of The Palais du Festival during the 51st Cannes Film Festival on May 13,1998 in Cannes, France. (Photo by Foc Kan/WireImage)

Men carrying a shrine jump over a bon fire, which means a wish for good luck during a traditional Chinese lunar new year celebration in Jieyang, Guangdong province, China, February 2, 2017. (Photo by Reuters/China Daily)

Crowds look on as the super moon rises behind the Fremantle War Memorial at Monument Hill on November 14, 2016 in Fremantle, Australia. A super moon occurs when a full moon passes closes to earth than usual, with the November 14th moon expected to be closer than it has been in over 70 years. (Photo by Paul Kane/Getty Images)

Waura Indians wrestle during this year's “quarup”, a ritual held over several days to honour in death a person of great importance to them, in Xingu National Park, Mato Grosso State, Brazil August 25, 2013. (Photo by Ueslei Marcelino/Reuters)

In this July 23, 2013 photo, sand fills an abandoned house in Kolmanskop, Namibia. Kolmanskop, was a diamond mining town south of Namibia, build in 1908 and deserted in 1956. SInce then, the desert slowly reclaims its territory, with sand invading the buildings where 350 German colonists and more than 800 local workers lived during its hay-days of the 1920s. (Photo by Jerome Delay/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)